{left table}

The origins of Vajrap€Ši are, like most other complex figures in the history of Hindu polytheism, multiformed and ambiguous. After a thorough examination of all of the relavent materials prior to thte eight century, two main themes emerge.

 

The first of these is his origin as a Yaka or a Guhyaka that is present in many areas of the evidence;

the second theme that emerges is his connection, through Indra and the Vajra, to the larger Indo-European complex of thunderbold wielding warrior gods.

 

Vajrapani from Kashmir 8th or 9th C. Huntington, Susan L. The Art of Acient India: Buddhist, Hindu, Jain.( New York: Weaterhil, 1985). Plate 14
A careful examination of the materials has revealed that there is no clear manner in which we can affirm one hypothesis while rejecting the other.
The bottom-up and top-down models of cultural exchange and assimilation are both equally useless in the case of Vajrap€Ši.

It would have been easy to give a stock history of Vajrap€Ši chronicling his rise from a Yaka, to the complexification of his character by Indra mythology and Indo-European Warrior Ideology, to then show how this is complexified by the bodhisattva ideal, and finally to show how Vajrap€Ši progressively extricates himself from his position as an acolyte and rises to fame with the growing popularity of Vajray€na.
I wrote this paper and then threw it away.
It was dishonest.

The performance thatfollows, though significantly more complex and confusing, is more accurate. It is more honest to the paucity of materials. As a result, the performance that follows assumes a dual structure. There are basically two arguments that are reconciled in the form of the performance and the concluding remarks. I will develop both theses in parallel, yet quite independent lines. The reader can choose to read either argument seperately or both together.

These divergent lines of argumentation will however, coalesce in a final argument, written not from the position of origins, but development, but these conclusions are best left for later...

 

 

 

 

Written and Composed by:
Mark Elmore
Last updated: 4-1-99
All rights reserved
Best viewed with IE 5